Lovesick, a new Taiwanese campus romance drama, has had people swooning with its sweet depiction of first love, coming-of-age confusion, and mental health. Written by Wu Ming-Tsan and directed by Hsu Fu-Hsiang, this film is Hsu’s feature debut. It’s actually a remake of the Korean film “To Catch A Virgin Ghost.” With a cast that includes Zhan Huai-Yun, Chiang Chi, Liu Hsiu-Fu, and Huang Guan-Zhi, “Lovesick” has quickly become a significant entry in Taiwanese cinema.
“Lovesick” released on April 2 via Sony Pictures across Taiwan. At the five-day mark, it had done exceptionally well on its initial weekend, taking in $362,000 (NT$12m). The film’s meteoric success has therefore seen it crowned the largest grossing local film to date in 2023. It went on to be the first to cross the NT$10 million mark since last August. As it resonates with audiences, “Lovesick” has received critical acclaim, winning the jury’s choice award at the Bucheon International Fantastic Film Festival.
A Unique Perspective
“Lovesick,” through its specific focus on the uncertainties of first love in the high school experience, tackles issues that most teenage girls face. Hsu Fu-Hsiang’s direction brings a fresh perspective to the narrative, allowing viewers to connect with the characters’ struggles and triumphs. This feel-good film ultimately pushes us all to spark conversation about mental health challenges that so many young people continue to experience.
The film’s timely release coincides with a growing interest in stories that reflect real-life challenges faced by youth. Through highlighting these themes in an approachable and sometimes humorous format, “Lovesick” hopes to create a dialogue of understanding and empathy between the characters and the audience.
Backed by Notable Support
Spotlighting production Of “Lovesick,” produced as the first feature under Taipei-based Sequoia Entertainment’s recently launched feature production banner. This company is a subsidiary of the venture capital firm Grandi Holdings. Given the success of this relationship in promoting local talent and storytelling, this collaboration represents an important shift in the world of Taiwanese cinema. This support has given Hsu Fu-Hsiang the resources he needs to bring his vision to life, and have it realized to perfection.
As it turns out, Lovesick is a remake of a fan favorite, the S Korean film My Little Bride. It deftly walks the tightrope of adaptation while bringing its own cultural flair that speaks to Taiwanese audiences. Such success of the film has already reverberated by raising a new precedent for Taiwanese filmmakers trailing or engaging in such an international narrative.
Anticipation for Mainland Release
“Lovesick” is scheduled for release on the mainland April 19 through Alibaba Pictures. This release marks a significant moment for Taiwanese cinema, as it represents one of the few local features to receive a near-simultaneous release in mainland China in over a decade. The excitement around its upcoming release into a wider market demonstrates the film’s potential for a wider, mainstream audience.
Whether it’s Netflix’s “Lovesick,” which is currently setting viewing records and sweeping award shows. As for its impact on Taiwanese and international cinema, we’ll have to wait and see. The film’s exploration of universal themes may resonate far beyond its origins, making it a noteworthy addition to contemporary film discussions.