Britt Lower, renowned for her captivating role as Helly R. in the critically acclaimed TV series “Severance,” has made a significant mark not only in acting but in the fashion world. Her idiosyncratic approach, described as architectural, mod, and graceful, has captured the public’s imagination on her press tour. Lower works intimately with stylist Rose Forde. Their fashion sensibilities are a clear testament to their connection to art and film, heavily pulling aesthetic inspiration from the cinematic world of David Lynch.
Lower and Forde’s collaboration flourished, stemming from a mutual love of fashion, film, and art. Forde takes great care to artfully interpret each aspect of Lower’s look—her skin, eyes, lips, nails, and hair—while placing her signature twist on them. Their partnership ends up being more than just a wardrobe decision. Most importantly, it focuses on telling a story that best represents Lower’s unique character and aesthetic.
When those first images of Severance came out, I recognized that David Lynch quality,” recalled Forde. She went on to explain, in deeper detail, how Lower represents a “Lynchian female icon.” She said, “Fascinating! The spectacle quietly mimics a high fashion editorial, whereas most of the other shows suffered from tacky excessive styling.
Forde has styled Lower in haute couture, custom-made looks for her promotional international tour. Including pieces like the fitted knits of Courreges shown above, as well as the butter yellow look from Maison Margiela directly below. These four ensembles highlight Lower’s frequently fashion-forward sensibility. They further reflect the character’s corporate aesthetic, one that Forde noted in the presentation rendered her “oppressed by their clothing.”
Because Lower has become comfortable with riskier sartorial statements. She showcased a dramatic royal blue sequin gown from Conner Ives’ fall 2025 collection and a silver studded suit from Coperni at the Vogue World runway show in Paris. Each item is purposely selected as a testament to her anti-establishment heart. Yet, at the same time, it sparkles with a refined beauty.
Forde shared that she truly appreciated how Lower brought creativity to the world of fashion. This WrestleMania should belong to her, because she’s a true visionary who actually loves fashion and embraces conceptual design. She finds a way to always make it personal. It’s Lower’s personal flair that really sets her apart from her fellow nominees. It tells a richer story underneath that, thanks to the intentionality behind her wardrobe.
Further, Forde’s direction stretches to pieces of Shushu/Tong, a Shanghai-centered label celebrated for their hyper-feminine but subverting aesthetics. For her setting, Lower selected an assembled black leather Maxi skirt, which she matched to a chocolate brown leather bikers jacket from Loewe. This unique combination exemplifies the fearless, whimsical fashion that Forde aims for.
One of the things I responded to in the performance was Audrey Hepburn’s unique playfulness and off-beat beauty. He stressed just how much Lower’s style embodies that balance between elegance and whimsy.
Forde’s clientele includes some pretty big actors as well, including Cillian Murphy and Emma D’Arcy. It’s true that she brings a ton of charm and humor to each and every look she produces. She is passionate about using local designers, and about fostering new talent in the field. I always enjoy working with the incredible local design talent from whatever city we find ourselves in. I’m passionate about championing emerging creators.
The vibrant collaboration between Lower and Forde is characterized by a willingness to experiment and unconventional approach to world-building. Both were really interested in the world, but she’s just as intrigued by the world as I was—she’s very. This common philosophy extends to their styling practices, which they see as an integral part of the fight for fashion equity. “We bring that all into styling. It extends well outside the fashion industry and even personal taste. Fashion for us is a tool to surface other narratives,” she expounded.